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“I just drew baby after baby after baby…”

It was a treat, as always to visit with children’s book illustrator Patrice Barton.  

In these two videos Patty tells us a little about her artwork for the picture book Sweet Moon Baby written by Karen Henry Clark (Knopf Books for Young Readers.)

Patty graduated with a B.F.A in Studio Art from the University of Texas at Austin and worked as a graphic designer for the Texas Department of Public Safety and a freelance commercial artist before she decided to focus on children’s book illustration, the art specialty she loved most.

She began with assignments from children’s magazines and educational presses. Gradually her client list grew to include major children’s trade publishers — Farrar,  Straus and Giroux Books for Young Readers and Scholastic Book Club, in addition to Knopf.

Children's book artist Patrice Barton talks to students

Children's book artist Patrice Barton talks to students at the Austin Museum of Art Art School

Here are some of the takeaways  from our discussion last month.

She says “yes” to the manuscripts that pull her in emotionally. She passes on assignments where the writing does not affect her.

When illustrating a book, she plows into sketches, often working on tracing paper to discover her characters.

She’ll place tracing paper over her drawings and sketch on it to build her compositions and scene interactions.  Much of this work she’ll throw away. The “keepers” she’ll puzzle out out how to fit into her scene composites.

Her process  involves trial and error and a lot of drawing before she comes up with the images that (she feels) will do the best job of bringing the page to life.

Patty likes to show her editors black and white value studies of her sketches (painted on the computer in Corel Painter) before she works out the story’s visual flow, pace and page turns in a series of experimental dummies of various sizes.

When everyone has signed off on her monochromatic sketches she brings her line drawings (that she had scanned into Photoshop into Corel Painter and paints them in color.

 "Sweet Moon Baby" double spread

Double page spread from "Sweet Moon Baby" by Karen Henry Clark, illustrated by Patrice Barton (Knopf)

And she endures with good cheer and good faith the numerous requests from her editors for changes and redo’s that are a fact of life for a professional book illustrator — even one as highly talented and diligent as Patty.

The two videos are from a 90 minute recorded interview Patty did for students of my Marks and Splashes online course on illustrating children’s books. (We’re incorporating monthly interviews with children’s book illustrators into the lessons.)

Next time on the blog, Patty will walk us through her process of creating the art for the well-reviewed picture book Mine!  by Shutta Crum (Knopf) and give us a sneak peek at Rosie Sprout’s Time to Shine by Allison Wortche, which Knopf plans to bring out in December.

In more children’s book art news…

The InteractBuilder contest deadline for creating your own interactive touch screen e-book for Interact Books has been extended to October 15.

Version 2.5 of the free software will be released by the end of August or early September, the developers say.

“There are a A TON of new and exciting features that will allow you to create even more compelling interactive books,” this week’s announcement from InteractBuilder added.  “And do not worry, any book you are working on will convert automatically, there will be no extra work needed unless you want to take advantage of one of the new features.”

conference logo

The Austin SCBWI symposium Storytelling in the Digital Age: Embrace the Change  set for  Saturday, October 8 has opened registration.  Among the workshop and panels on the program:  Creating and Maintaining Your Web Persona presented by Erik KuntzThere’s an App for That presented by Amanda Williams,  Paper to Pixels: The Art of the Digital Paintbrush presented by Clint Young,  Storytelling in the Digital Age: Imagine presented by Ezra Weinstein and  Children’s Book Illustrators and Technology presented by the Girllustrators — and really so much more.

SCBWI Executive director Lin Oliver will deliver the keynote from California via SKYPE. Her topic: The SCBWI’s recommendations to illustrators and authors on how to evaluate publishers in the digital marketplace.

The ground-breaking event at St. Edward’s University will be the place to learn about e-books, interactive books for touch screen devices, iPhone game apps from Austin, Texas developers — as well as to meet and network with them. Registration is only $75 for SCBWI members.  You can read more about the symposum here. 

   * * * * *

Mark Mitchell teaches an online course on illustrating children’s books, “Make Your Splashes – Make Your Marks!” 

Check out the course Facebook pageFacebook group and companion blog.
Please “like” or join them if you’re so inclined to do so. 🙂

Discover a “big secret” of making better drawings. 

About The Author

Mark Mitchell

Award-winning children's book author-illustrator Mark G. Mitchell teaches classes in watercolor painting and children's book illustration at The Contemporary Austin Art School in Austin, Texas. Mark is also the creator of an online course, "Make Your Marks and Splashes: A Natural Approach to Children's Book Illustration."

3 Comments

  1. Hilda

    I enjoyed Patrice Barton’s process with tracing paper to build on composition and found it a new idea to do the coloring with corel on computer rather then coloring by hand. I have been also sketching by pencil scanning but rather than corel paint, I have used color toning (options on the apple computer) with one color per picture for one whole scene because the emphasis for my project is not individual parts but the scene itself distinguished from another scene on another page as each tells a different aspect of a child’s life. I thought illustrators did the painting or coloring manually first ( I am new to this) but I like the corel idea as that is more efficient. It works when sketches have enough texture/dimension/shading by pencil. Thank you Mike for providing a clip with Patrice: really enjoyed “The Sweet Moon Baby”.
    Hilda

    Reply
  2. Hilda

    Sorry Mark I referred to you by Mike ( my father’s name).

    Reply
    • Mark Mitchell

      I’m called Mike fairly frequently — I enjoyed your comments, Hilda.
      The two video clips here don’t mention that Patty also scans various patterns textures to serve as background layers for her pictures — to remove that paralyzing “blank canvas” feeling and to give her digitally colored images a kind of bite and tactile sensation — whatever might be in keeping with a book’s theme. She did this throughout “Sweet Moon Baby” to create almost a parchment feeling, like a venerable Asian scroll painting.
      Your project with one color per picture on the apple color toning sounds like it has a nice concept. Thank you for writing in.

      Reply

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